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Carioca da Gema Composição Arlindo Cruz / Franco / Sombrinha Tenho fama de malandro, de sambista verdadeiro E pra esse mundo inteiro sou um grande gozador Tenho o sol da alegria, tenho o dom da boemia Com dinheiro ou sem dinheiro, tá tranquilo, em terror Mas invadem minha praia, atravessam meu caminho Sei ficar "pequenininho", brigo bem, dou sugestão Mas tenho bom coração, felicidade é meu lema Todos os sabem que eu sou, sou carioca da gema Sonhador de pé no chão, minha cidade é um poema Todos sabem que eu sou, sou carioca da gema (meu povo) Eu sou carioca da gema do ovo (de novo) Eu sou carioca da gema do ovo É bem carioca pendurar a conta lá pro fim do mês E ainda por cima ser considerado como um bom frêgues Que paga promessa, que bate tambor Que sobe na Penha e no Redentor Que toca tantã, tira onda e grita no Maracanã (gol!) O bom carioca não muda de idéia nem barra ninguém Tem boa saúde, muita paciência pra andar de trem Namora na Quinta e morre de amor Mas tem piedade se vê muita dor Tem vista alegre e até bota fogo se a chama apagou É maravilhoso, não me leve a mal Meu Rio é festa, é cartão-postal Povão carioca que nasce e renasce Quando é carnaval Carioca de Ipanema e do subúrbio da Central Da canção de Tom Jobim à batucada do Marçal Do feijão da Vicentina à feijoada do Amaral
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完成版対訳はこちら ATTO SECONDO Interno della casetta di Butterfly Si alzo il sipario. Le pareti sono chiuse lasciando la camera in una semioscurità. Suzuki prega, raggomitolata davanti all immagine di Budda suona di quando in quando la campanella delle preghiere. Butterfly è stesa a terra, appoggiando la testa nelle palme delle mani. SUZUKI pregando E Izagi ed Izanami, Sarundasico e Kami... interrompendosi Oh! la mia testa! suona la campanella per richiamare l attenzione degli Dei E tu Ten-Sjoodaj! con voce di pianto, guardando Butterfly fate che Butterfly non pianga più, mai più, mai più! BUTTERFLY senza muoversi Pigri ed obesi son gli Dei giapponesi. L americano Iddio son persuasa ben più presto risponde a chi l imlori. Ma temo ch egli ignori che noi stiam qui di casa. rimane pensierosa Suzuki si alza, apre la parete del fondo verso il giardino. BUTTERFLY Suzuki, è lungi la miseria? Suzuki va ad un piccolo mobile ed apre un cassetto cercando delle monete. SUZUKI va presso Butterfly mostrandole poche monete Questo è l ultimo fondo. BUTTERFLY Questo? Oh! troppe spese! ripone il danaro nel piccolo mobile e lo chiude SUZUKI sospirando S egli non torna e presto, siamo male in arnese. BUTTERFLY decisa, alzandosi Ma torna. SUZUKI crollando la testa Tornerà! BUTTERFLY indispettita, avvicinandosi a Suzuki Perché dispone che il Console provveda alla pigione, rispondi su! Suzuki tace BUTTERFLY sempre insistendo Perché con tante cure la casa rifornì di serrature, s ei non volessi ritornar mai più? SUZUKI Non lo so. BUTTERFLY un poco irritata e meravigliata di tanta ignoranza Non lo sai? ritornando calma e con fiducioso orgoglio Io te lo dico. Per tener ben fuori le zanzare, i parenti ed i dolori, e dentro, con gelosa custodia, la sua sposa, la sua sposa che son io Butterfly. SUZUKI poco convinta Mai non s è udito di straniero marito che sia tornato al suo nido. BUTTERFLY furibonda afferra Suzuki Ah! Taci! o t uccido. insistendo nel persuadere Suzuki Quell ultima mattina tornerete, signor? gli domandai. Egli, col cuore grosso, per celarmi la pena... sorridendo rispose O Butterfly, piccina mogliettina, tornerò colle rose alla stagion serena quando fa la nidiata il petti rosso. calma e convinta si sdraia per terra Tornerà. SUZUKI con incredulità Speriam. BUTTERFLY insistendo Dillo con me Tornerà. SUZUKI per compiacerla ripete, ma con dolore Tornerà... scoppia in pianto BUTTERFLY 驚いたわ 泣いているの？なぜ？なぜ？ ああ、信じていないのね 安心して、笑って お聞き fa la scena come s realmente vi assistesse e si avvicina poco a poco allo shosi del fondo ある晴れた日に、見るでしょう ひとすじの煙が昇るのを 水平線の彼方に やがて船が来ます その白い船は 港に入り 礼砲を鳴らします わかる？彼が帰って来るの でも私は迎えには行きません 丘の端で待ちます ずっと待ちます,つらくありません 長く待つのは 町の人込みから 小さな点のような男の人がひとり 丘を上がってきます 誰？誰？ ここへ来て 何を言うの？何を言うの？ その人は遠くから蝶々さんて呼ぶわ わたしは答えずに 隠れています ふざけてでもあり... 久しぶりに会った喜びで死なないため 彼はちょっと心配になって呼ぶわ 呼ぶわ、「可愛いひと ビジョザクラの香さん」 最後に会ったときに呼んでくれた名前で （鈴木に） きっとこうなるわ, 約束します だから、泣くのはおよし 心から信じて、わたしは彼を待ちます Butterfly e Suzuki si abbracciano commosse. Butterfly congeda Suzuki, che esce dall uscio di sinistra, e la segue mestamente collo sguardo. Nel giardino compariono Goro e Sharpless. Goro guarda entro la camera, scorge Butterfly e dice a Sharpless che lo segue GORO C è. Entrate. Goro sparisce nel giardino. SHARPLESS affacciandosi, bussa discretament contro la parete del fondo Chiedo scusa... Sharpless scorge Butterfly la quale udendo entrare qualcuno si è mossa. Madama Butterfly... BUTTERFLY senza volgersi, ma correggendo Madama Pinkerton. Prego. si volge e riconoscendo il Console batte le mani per allegrezza Oh! Suzuki entra premurosamente e preparea un tavolino coll occorrente per fumare. BUTTERFLY allegramente Il mio signor Console, signor Console. SHARPLESS sorpreso Mi ravvisate? BUTTERFLY facendo gli onori di casa Benvenuto in casa americana. SHARPLESS Grazie. Butterfly, invita il Console a sedere presso il tavolino Sharpless si lascia cadere grottescamente su di un cuscino Butterfly si siede dall altra parte e sorride maliziosamente dietro il ventaglio vedendo l imbarazzo del Console; poi con molta grazia gli chiede BUTTERFLY Avi, antenati tutti bene? SHARPLESS ringrazia sorridendo Ma spero. BUTTERFLY fa cenno a Suzuki di preparare la pipa Fumate? SHARPLESS Grazie. desideroso di spiegare lo scopo per cui è venuto, cava una lettera di tasca Ho qui... BUTTERFLY interrompendolo, senza accorgersi della lettera Signore, io vedo il cielo azzurro. dopo aver tirata una boccata dalla pipa che Suzuki ha preparata, l offre al Console. SHARPLESS rifiutando Grazie... tentando ancora di riprendere il discorso Ho... BUTTERFLY depone la pipa sul tavolino e assai premurosa dice Preferite forse le sigarette americane? ne offre SHARPLESS un po seccato ne prende una Grazie. e tenta continuare il discorso Ho da mostrarvi... si alza BUTTERFLY porge a Sharpless un fiammifero acceso A voi. SHARPLESS accende la sigaretta, ma poi la depone subito e presentando la lettera si siede sullo sgabello Mi scrisse Benjamin Franklin Pinkerton. BUTTERFLY con grande premura Davvero! È in salute? SHARPLESS Perfetta. BUTTERFLY alzandosi con grande letizia Io son la donna più lieta del Giappone. Suzuki è in faccende per preparare il thè. Potrei farvi una domanda? SHARPLESS Certo. BUTTERFLY torna a sedere Quando fanno il lor nido in America i pettirossi? SHARPLESS stupito Come dite? BUTTERFLY Sì, prima o dopo di qui? SHARPLESS Ma perché? Goro che si aggira nel giardino, si avvicina alla terrazza e ascolta, non visto, quanto dice Butterfly. BUTTERFLY Mio marito m ha promesso, di ritornar nella stagion beata che il pettirosso rifà la nidiata. Qui l ha rifatta per ben tre volte ma uò darsi che di là usi nidiar men spesso. Goro s affaccia e fa una risata BUTTERFLY volgendosi Chi ride vedendo Goro Oh, c è il nakodo! piano a Sharpless Un uom cattivo. GORO avanzandosi e inchinandosi ossequioso Godo... BUTTERFLY a Goro che s inchina di nuovo e si allontana nel giardino Zitto! a Sharpless Egli osò... No... cambiando idea prima rispondete alla dimanda mia. SHARPLESS imbarazzato Mi rincresce, ma ignoro... Non ho studiato ornitologia, BUTTERFLY Orni... SHARPLESS …tologia. BUTTERFLY Non lo sapete insomma. SHARPLESS ritenta di tornare in argomento No. Dicevamo... BUTTERFLY lo interrompe, seguendo la sua idea Ah, sì. Goro, appena B.F. Pinkerton fu in mare mi venne ad assediare con ciarle e con presenti per ridarmi ora questo, or quel marito. Or promette tesori per uno scimunito... GORO intervenendo per giustificarsi, entra nella stanza e si rivolge a Sharpless Il ricco Yamadori Ella è povera in canna. I suoi parenti l han tutti rinnegata. al di là della terrazza si vede giungere il Principe Yamadori in un palanchino, attorniato dai servi BUTTERFLY vede Yamadori e lo indica a Sharpless sorridendo Eccolo, attenti! Yamadori, accolto da Goro genuflesso, scende dai palanchino, saluta il Console e Butterfly, che si è avvicinata alla parete del fondo; Yamadori si siede sulla terrazza rivolto rispettosamente verso Butterfly la quale s inginocchia nella stanza. BUTTERFLY a Yamadori Yamadori, ancor le pene dell amor non v han deluso? Vi tagliate ancor le vene se il mio bacio vi ricuso? YAMADORI Tra le cose più moleste è l inutil sospirar. BUTTERFLY con graziosa malizia Tante mogli omai toglieste, vi doveste abituar. YAMADORI L ho sposate tutto quante e il divorzio mi francò. BUTTERFLY Obbligata. YAMADORI A voi però giurerei fede costante. SHARPLESS sospirando, rimette in tasca la lettera Il messaggio, ho gran paura, a trasmetter non riesco. GORO con enfasi, indicando Yamadori Ville, servi, oro, ad Omara un palazzo principesco. BUTTERFLY con serietà Già legata è la mia fede... GORO e YAMADORI a Sharpless Maritata ancor si crede. BUTTERFLY alzando di scatto Non mi credo, sono, sono! GORO Ma la legge... BUTTERFLY Io non la so. GORO ...per la moglie, l abbandono al divorzio equiparò BUTTERFLY La legge giapponese non già del mio paese. GORO Quale? BUTTERFLY Gli Stati Uniti SHARPLESS fra sè Oh, l infelice! BUTTERFLY nervosissima, accalorandosi Si sa che aprir la porta e la moglie cacciar per la più corta qui divorziar si dice. Ma in America questo non si può a Sharpless Vero? SHARPLESS imbarazzato Vero... Però... BUTTERFLY lo interrompe rivolgendosi a Yamadori ed a Goro trionfante Là un bravo giudice serio, impettito dice al marito "Lei vuol andarsene? Sentiam perché" "Sono seccato del coniugato!" E il magistrato comicamente "Ah, mascalzone, presto in prigione!" per troncare il discorso ordina a Suzuki Suzuki, il thè. Butterfly va presso Suzuki che à già preparato il thè, e lo versa nelle tazze. YAMADORI sottovoce a Sharpless Udiste? SHARPLESS sottovoce Mi rattrista una sì piena cecità GORO sottovoce a Sharpless e Yamadori Segnalata è già la nave di Pinkerton. YAMADORI disperato Quand essa lo riveda... SHARPLESS sottovoce ai due Egli non vuol mostratsi. Io venni appunto per levarla d inganno... vedendo che Butterfly, seguita da Suzuki, si avvicina per offrire il thè, tronca il discorso. BUTTERFLY offrendo il thè a Sharpless Vostra Grazia permette? apre il ventaglio e dietro a questo accenna ai due, ridendo Che persone moleste! Yamadori s alza per andarsene YAMADORI sospirando Addio. Vi lascio il cuor pien di cordoglio ma spero ancor... BUTTERFLY Padrone. Yamadori s avvia per uscire, poi torna indietro presso Butterfly. YAMADORI Ah! se voleste... BUTTERFLY Il guaio è che non voglio... ATTO SECONDO Interno della casetta di Butterfly Si alzo il sipario. Le pareti sono chiuse lasciando la camera in una semioscurità. Suzuki prega, raggomitolata davanti all immagine di Budda suona di quando in quando la campanella delle preghiere. Butterfly è stesa a terra, appoggiando la testa nelle palme delle mani. SUZUKI pregando E Izagi ed Izanami, Sarundasico e Kami... interrompendosi Oh! la mia testa! suona la campanella per richiamare l attenzione degli Dei E tu Ten-Sjoodaj! con voce di pianto, guardando Butterfly fate che Butterfly non pianga più, mai più, mai più! BUTTERFLY senza muoversi Pigri ed obesi son gli Dei giapponesi. L americano Iddio son persuasa ben più presto risponde a chi l imlori. Ma temo ch egli ignori che noi stiam qui di casa. rimane pensierosa Suzuki si alza, apre la parete del fondo verso il giardino. BUTTERFLY Suzuki, è lungi la miseria? Suzuki va ad un piccolo mobile ed apre un cassetto cercando delle monete. SUZUKI va presso Butterfly mostrandole poche monete Questo è l ultimo fondo. BUTTERFLY Questo? Oh! troppe spese! ripone il danaro nel piccolo mobile e lo chiude SUZUKI sospirando S egli non torna e presto, siamo male in arnese. BUTTERFLY decisa, alzandosi Ma torna. SUZUKI crollando la testa Tornerà! BUTTERFLY indispettita, avvicinandosi a Suzuki Perché dispone che il Console provveda alla pigione, rispondi su! Suzuki tace BUTTERFLY sempre insistendo Perché con tante cure la casa rifornì di serrature, s ei non volessi ritornar mai più? SUZUKI Non lo so. BUTTERFLY un poco irritata e meravigliata di tanta ignoranza Non lo sai? ritornando calma e con fiducioso orgoglio Io te lo dico. Per tener ben fuori le zanzare, i parenti ed i dolori, e dentro, con gelosa custodia, la sua sposa, la sua sposa che son io Butterfly. SUZUKI poco convinta Mai non s è udito di straniero marito che sia tornato al suo nido. BUTTERFLY furibonda afferra Suzuki Ah! Taci! o t uccido. insistendo nel persuadere Suzuki Quell ultima mattina tornerete, signor? gli domandai. Egli, col cuore grosso, per celarmi la pena... sorridendo rispose O Butterfly, piccina mogliettina, tornerò colle rose alla stagion serena quando fa la nidiata il petti rosso. calma e convinta si sdraia per terra Tornerà. SUZUKI con incredulità Speriam. BUTTERFLY insistendo Dillo con me Tornerà. SUZUKI per compiacerla ripete, ma con dolore Tornerà... scoppia in pianto BUTTERFLY sorpresa Piangi? Perché? perché? Ah, la fede ti manca... fiduciosa e sorridente Senti. fa la scena come s realmente vi assistesse e si avvicina poco a poco allo shosi del fondo Un bel dì, vedremo levarsi un fil di fumo sull estremo confin del mare. E poi la nave appare. Poi la nave bianca entra nel porto, romba il suo saluto. Vedi? È venuto! Io non gli scendo incontro. Io no. Mi metto là sul ciglio del colle e aspetto, e aspetto gran tempo e non mi pesa, la lunga attesa. E uscito dalla folla cittadina un uomo, un picciol punto s avvia per la collina. Chi sarà? chi sarà? E come sarà giunto che dirà? che dirà? Chiamerà Butterfly dalla lontana. Io senza dar risposta me ne starò nascosta un po per celia... e un po per non morire al primo incontro, ed egli alquanto in pena chiamerà, chiamerà iccina mogliettina olezzo di verbena, i nomi che mi dava al suo venire a Suzuki Tutto questo avverrà, te lo prometto. Tienti la tua paura, io consicura fede l aspetto. Butterfly e Suzuki si abbracciano commosse. Butterfly congeda Suzuki, che esce dall uscio di sinistra, e la segue mestamente collo sguardo. Nel giardino compariono Goro e Sharpless. Goro guarda entro la camera, scorge Butterfly e dice a Sharpless che lo segue GORO C è. Entrate. Goro sparisce nel giardino. SHARPLESS affacciandosi, bussa discretament contro la parete del fondo Chiedo scusa... Sharpless scorge Butterfly la quale udendo entrare qualcuno si è mossa. Madama Butterfly... BUTTERFLY senza volgersi, ma correggendo Madama Pinkerton. Prego. si volge e riconoscendo il Console batte le mani per allegrezza Oh! Suzuki entra premurosamente e preparea un tavolino coll occorrente per fumare. BUTTERFLY allegramente Il mio signor Console, signor Console. SHARPLESS sorpreso Mi ravvisate? BUTTERFLY facendo gli onori di casa Benvenuto in casa americana. SHARPLESS Grazie. Butterfly, invita il Console a sedere presso il tavolino Sharpless si lascia cadere grottescamente su di un cuscino Butterfly si siede dall altra parte e sorride maliziosamente dietro il ventaglio vedendo l imbarazzo del Console; poi con molta grazia gli chiede BUTTERFLY Avi, antenati tutti bene? SHARPLESS ringrazia sorridendo Ma spero. BUTTERFLY fa cenno a Suzuki di preparare la pipa Fumate? SHARPLESS Grazie. desideroso di spiegare lo scopo per cui è venuto, cava una lettera di tasca Ho qui... BUTTERFLY interrompendolo, senza accorgersi della lettera Signore, io vedo il cielo azzurro. dopo aver tirata una boccata dalla pipa che Suzuki ha preparata, l offre al Console. SHARPLESS rifiutando Grazie... tentando ancora di riprendere il discorso Ho... BUTTERFLY depone la pipa sul tavolino e assai premurosa dice Preferite forse le sigarette americane? ne offre SHARPLESS un po seccato ne prende una Grazie. e tenta continuare il discorso Ho da mostrarvi... si alza BUTTERFLY porge a Sharpless un fiammifero acceso A voi. SHARPLESS accende la sigaretta, ma poi la depone subito e presentando la lettera si siede sullo sgabello Mi scrisse Benjamin Franklin Pinkerton. BUTTERFLY con grande premura Davvero! È in salute? SHARPLESS Perfetta. BUTTERFLY alzandosi con grande letizia Io son la donna più lieta del Giappone. Suzuki è in faccende per preparare il thè. Potrei farvi una domanda? SHARPLESS Certo. BUTTERFLY torna a sedere Quando fanno il lor nido in America i pettirossi? SHARPLESS stupito Come dite? BUTTERFLY Sì, prima o dopo di qui? SHARPLESS Ma perché? Goro che si aggira nel giardino, si avvicina alla terrazza e ascolta, non visto, quanto dice Butterfly. BUTTERFLY Mio marito m ha promesso, di ritornar nella stagion beata che il pettirosso rifà la nidiata. Qui l ha rifatta per ben tre volte ma uò darsi che di là usi nidiar men spesso. Goro s affaccia e fa una risata BUTTERFLY volgendosi Chi ride vedendo Goro Oh, c è il nakodo! piano a Sharpless Un uom cattivo. GORO avanzandosi e inchinandosi ossequioso Godo... BUTTERFLY a Goro che s inchina di nuovo e si allontana nel giardino Zitto! a Sharpless Egli osò... No... cambiando idea prima rispondete alla dimanda mia. SHARPLESS imbarazzato Mi rincresce, ma ignoro... Non ho studiato ornitologia, BUTTERFLY Orni... SHARPLESS …tologia. BUTTERFLY Non lo sapete insomma. SHARPLESS ritenta di tornare in argomento No. Dicevamo... BUTTERFLY lo interrompe, seguendo la sua idea Ah, sì. Goro, appena B.F. Pinkerton fu in mare mi venne ad assediare con ciarle e con presenti per ridarmi ora questo, or quel marito. Or promette tesori per uno scimunito... GORO intervenendo per giustificarsi, entra nella stanza e si rivolge a Sharpless Il ricco Yamadori Ella è povera in canna. I suoi parenti l han tutti rinnegata. al di là della terrazza si vede giungere il Principe Yamadori in un palanchino, attorniato dai servi BUTTERFLY vede Yamadori e lo indica a Sharpless sorridendo Eccolo, attenti! Yamadori, accolto da Goro genuflesso, scende dai palanchino, saluta il Console e Butterfly, che si è avvicinata alla parete del fondo; Yamadori si siede sulla terrazza rivolto rispettosamente verso Butterfly la quale s inginocchia nella stanza. BUTTERFLY a Yamadori Yamadori, ancor le pene dell amor non v han deluso? Vi tagliate ancor le vene se il mio bacio vi ricuso? YAMADORI Tra le cose più moleste è l inutil sospirar. BUTTERFLY con graziosa malizia Tante mogli omai toglieste, vi doveste abituar. YAMADORI L ho sposate tutto quante e il divorzio mi francò. BUTTERFLY Obbligata. YAMADORI A voi però giurerei fede costante. SHARPLESS sospirando, rimette in tasca la lettera Il messaggio, ho gran paura, a trasmetter non riesco. GORO con enfasi, indicando Yamadori Ville, servi, oro, ad Omara un palazzo principesco. BUTTERFLY con serietà Già legata è la mia fede... GORO e YAMADORI a Sharpless Maritata ancor si crede. BUTTERFLY alzando di scatto Non mi credo, sono, sono! GORO Ma la legge... BUTTERFLY Io non la so. GORO ...per la moglie, l abbandono al divorzio equiparò BUTTERFLY La legge giapponese non già del mio paese. GORO Quale? BUTTERFLY Gli Stati Uniti SHARPLESS fra sè Oh, l infelice! BUTTERFLY nervosissima, accalorandosi Si sa che aprir la porta e la moglie cacciar per la più corta qui divorziar si dice. Ma in America questo non si può a Sharpless Vero? SHARPLESS imbarazzato Vero... Però... BUTTERFLY lo interrompe rivolgendosi a Yamadori ed a Goro trionfante Là un bravo giudice serio, impettito dice al marito "Lei vuol andarsene? Sentiam perché" "Sono seccato del coniugato!" E il magistrato comicamente "Ah, mascalzone, presto in prigione!" per troncare il discorso ordina a Suzuki Suzuki, il thè. Butterfly va presso Suzuki che à già preparato il thè, e lo versa nelle tazze. YAMADORI sottovoce a Sharpless Udiste? SHARPLESS sottovoce Mi rattrista una sì piena cecità GORO sottovoce a Sharpless e Yamadori Segnalata è già la nave di Pinkerton. YAMADORI disperato Quand essa lo riveda... SHARPLESS sottovoce ai due Egli non vuol mostratsi. Io venni appunto per levarla d inganno... vedendo che Butterfly, seguita da Suzuki, si avvicina per offrire il thè, tronca il discorso. BUTTERFLY offrendo il thè a Sharpless Vostra Grazia permette? apre il ventaglio e dietro a questo accenna ai due, ridendo Che persone moleste! Yamadori s alza per andarsene YAMADORI sospirando Addio. Vi lascio il cuor pien di cordoglio ma spero ancor... BUTTERFLY Padrone. Yamadori s avvia per uscire, poi torna indietro presso Butterfly. YAMADORI Ah! se voleste... BUTTERFLY Il guaio è che non voglio... Puccini,Giacomo/Madama Butterfly/II-2
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Books 作成日 2007/11/01 H.Naito 更新日 2007/11/05 T.Kodama Programing Command Reference Programing No 名前 版数 出版年月日 著者 出版社 値段 (+tax) 保持者 貸出先 作成日 更新日 購入 ブックレビュー 001 プロとしての Oracle PL/SQL 入門 初版 2006/08/09 アシスト教育センター SoftBank クリエイティブ 2400 内藤 NULL 2007/09/18 2007/09/18 amazon NULL Command Reference No 名前 版数 出版年月日 著者 出版社 値段 (+tax) 保持者 貸出先 作成日 更新日 購入 ブックレビュー 001 改訂新版SQLポケットリファレンス 第2版 2006/01/15 浅井 淳 技術評論社 1980
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Dvorakらの特許http //blechmusik.xrea.jp/d/misc/Dvorak_keyboard_layout/#id_2 その思想 機械式タイプライターの制約 http //blechmusik.xrea.jp/d/misc/Dvorak_keyboard_layout/#id_2 Dvorak は、 EX といった綴りを同一の指で打鍵しないよう考え、 X を E から離れたところに配置するよう決めた。つぎに、K と J の配置を考えた。両者は、 X よりも出現頻度は高いものの、 E との組み合わせは滅多に生じないようだ。これにより、E の近くに両者を配置した。そして、Q の配置を考えた。 Q は主として U と組み合わせて使用されるので、 U と違う指で打鍵するよう配置した。 Dvorakのこのあたりの設計思想は、手指の、同指操作を避けるため、とのことのようである。 この部分は、タイプバー配列の面から見れば、頻出（連続）連接文字のタイプバーの隣接を避けることとも、かなり密接に関連した配置操作とみえる。 安岡孝一氏はDvorak配列を評して、 August Dvorakの配列も、あくまで1930年代の機械式タイプライターの特性に合わせたものに過ぎません。現代のキーボード(ほとんどストロークがない)http //slashdot.jp/comments.pl?sid=239975 cid=694948 とし、機械式タイプライターには、制約があったことは、認めている。ただしここでは、そのストロークの深さにのみ言及している。 現代のキーボード(ほとんどストロークがない) においては、むしろWilliam Wilson Nelsonが『Typewriter Reforms―The Combinational Keyboard』(Science Progress, Vol.16, No.62 (October 1921), pp.307-318)で提案した配列の方が、さらに優れていると私は考えます。あるいは機械式タイプライターに限ったとしても、Roy T. Griffithが『The Minimotion Typewriter Keyboard』(Journal of the Franklin Institute, Vol.248, No.5 (November 1949), pp.399-436)で提案した配列は、August Dvorakのアイデアを極限まで押し進めたものですから、当然、考慮する必要があります。http //slashdot.jp/comments.pl?sid=239975 cid=694948 として、ネルソンに話をつなげているのは、ネルソンも、機械式の制約下での配列論議だと思われるのだが、いったいどうなっているのか。山田尚勇がネルソンの再燃とか言っているからか。 グリフィスのミニモーションもサーベイしている山田尚勇のDvorak評価は、結構高いと思われるのだが、http //b.hatena.ne.jp/raycy/20090924#bookmark-16230098。 BCDP 1z?a2 ,o3qe4jpu5kyi6xfd7bgh8mct9wrn0vls jp50.000% pu91240.252% ky4370.012% iy12870.036% fx200.001% df780.002% bg400.001% gh101510.281% cm2010.006% ct158110.437% rw16990.047% nr65330.181% lv11470.032% ls73370.203% total538701.489% まあ、ぼちぼち、、 link_trackbackcounter -
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THE TOKIO LAW OFFICE. NO. 1, SHINSAKANA-CHO, KYOBASHI-KU, TOKIO. TEL, KYOBASHI 1554, 2901, 3048 POST SAV. TOKIO 26127. ITS OBJECT. The Tokio Law Office aims at introducing an improvement in our rather obsolete legal clientage in this country. Offices now engaged in the practice of law and application for patents are mostly incapable of meeting various ever increasing demands of the times. In order to meet these demands immediate reforms are imperative indeed. The Tokio Law Office is helping itself to make up for all these shortcomings and meet the demands squarely through our new organization with most simple, prompt, accurate and conscientious manner. Law offices hitherto in existence are generally too limited in their functions, their business being mostly restricted to those in connection with count only. What our office wants to specially emphasize is those practices which are out of court, so to speak-- friendly settlements, negotiations and advices etc. etc. etc. This method will, no doubt, save our clients a considerable amount of costs of actions which they must otherwise pay. Law offices hitherto in existence are too much given to formalism as well as officialism clients for instance, who want to have introducers. This of course compels many to turn to lawyers of questionable reputations. The Tokio Law Office wants to put a stop to all these usages. Standing on a most intimate and friendly relation with its clients, it at once saves them from the grips of pettifoggers and introduces to the bar and bench a most simple and efficient way of carrying on law practices. ITS PECULIARITIES. The Tokio Law Office is a firm founded by the joint efforts of five lawyers, --men of skill and experience of many years standing, enjoying undisputed confidence of the public. It is a sort of corporation and is quite an innovation in our judicial circle, --an establishment unique in the whole empire. The Tokio Law Office can boast of the following three things completeness in its staff in both their number and competency, a high degree of perfection in its various departments, and in its ample resources. ITS MOTTO. Moderate fees; ripe deliberations; perfect accuracy; simplicity; promptness; and full responsibility. DEPT AND THIER FUNCTIONS. A. FOREIGN DEPT., --All law practices and application for patents for foreign clients done in the most conscientious manner in co-operation with other departments ; opinions rendered in connection with foreign laws ; translations and interpretations. NOTE This department has been started quite recently for the foreign residents. B. LAW DEPT., --Law suit in connection with civil and commercial transactions, --compensation for damages, corporations, notes and bills, transportations, insurance etc. etc. etc. ; procedures for compulsory execution and registration ; accusations and various petitions. C. ADJUSTMENT DEPT., --Business in connection with founding, dissoluting, and liquidating of companies and shops; adjustment of business, claims and debts; administration of properties. D. CRIMINAL DEPT., --Defense for criminal cases ; procedures for application for bail ; negotiations with public procurator s offices and police stations. E. PATENT DEPT., --Applications for foreign and Japanese patents, trademarks, designs, and utility models ; accusations and demands for compensation of damages in connection with infringements of patents rights. F. COLLECTION DEPT., --Settlement of controversies out of court, free of charge, on an entirely contingent basis. NOTE Since the Tokio Law Office started this department, many similar ones were started by other law offices. This shows how this sort of business is in demand now and also how many persons have been benefitted by it. This department in our office is, however, the best and most consummate one among these. G. SUPREME COURT DEPT., The Supreme Court is the sole law court in our country where final decisions in connection with the interpretation of laws are given. All law cases are finally to be settled here. This necessitates our office to specially start this department and extend our joint and systematic efforts in this direction. Out of the whole cases settled in the supreme courts in the course of last year, nearly one tenth were those handled by this department. This shows how great is the confidence placed by the public in this department of our office. H. CONSULTATION DEPT., --Legal opinions are rendered in delicate points of law by the mature considerations and joint studies of the full staff of specialists. I. ADVISORY DEPT., --Acts as legal advisers for firm, companies, shops and individuals. J. INVESTIGATION DEPT., --Besides being in constant and close communications with various inquiry associations, this department conducts researches, makes inquiries, of every sort, by the competent persons all well experienced and specially qualified for this kind of business. TERM OF REWARDS. 1. PRODEDURES OF COURT. Claims amount Retaining fee Contingent reward Under ￥500 Above ￥10 to ￥50 To ￥100 Under ￥5000 Above ￥50 to ￥300 To ￥500 Under ￥20,000 Above ￥250 to ￥1000 To ￥1000 Above ￥20,000 Above ￥500 Above ￥5000 2. FOR COLLECTION OF DELINQUENT ACCOUNTS. From 10 to 20 per cent of the sum collected. 3. FOR OPINIONS RENDERD. Above ￥10 to ￥500. 4. FOR ADVICES GIVEN. Above ￥100 per year and above ￥10 per month. 5. FOR THE REST. Case Simple Cases Ordinary Cases Extraordinary Cases Retaining fee Above ￥20 Above ￥30 Above ￥50 Contingent reward STAFFS OF THE OFFICE. The complete staffs of the Tokio Law Office are Abo Asajiro, Attorney at Law Hamaguchi Kiichi, Kamimura Susumu, Nakagawa Gorokichi, Engineer Sasaki Toichiro, Attorney at Law Tazaka Sadao, Yamasaki Kesaya, Yoshida Sanichiro, and nearly thirty college graduates. ＜以上は、山崎今朝弥氏が著作者である。＞ ＜底本は、東京法律事務所『東京法律』第17号12頁、大正5年（1916年）3月1日号＞
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Date A Live 01.April 1x [30 years ago, in the vicinity of Sino-Mongolian border. A butterfly was flying around peaceful glassy plain. But suddenly, blue sky deformed, fell down to the ground. From the point where deformed sky touched to the ground, black spherical thing born, spread. The black ball burned, swallowed forests, cities, people. It s size was visible when you look down to Earth from space. A diameter of the black thing swelled to several thousand kilo meters] Shido The Eurasian Continent was attacked by a massive spatial quake. There were one hundred fifteen million victims on this unprecedented event. And, now... OP --- Kotori Waaaake up! A-ha-ha! [Kotori stepped cheerful dance on Shido, over his blanket. She wore a school uniform. White sailor blouse and short length, navy-blue pleated skirt. Her panty s flashing] Shido My little sister is getting me what the possibly be the worst wake up call ever. Ugg...Kotori...! Daring little sister of mine... Kotori Aha! What is it, daring big brother of mine? Shido Get off of me! You re too big! Ugh! Kotori Aha! [Kotori jumped up high from Shido. At the highest point in air, she flashed her panty again. And, fall on her brother s stomach with her left foot] Shido Oww! ...Cough! Agh... Kotori Aha ha. Sorry, did that hurt? I bet you wake, though. [But Shido stubbornly resisted to wake up. He covered entirely over himself, and tried to keep sleeping] Kotori Hey! Stop just go right back to sleep! Wake up! Come on, wake up sleepy head! Wake up! [Kotori mounted her brother, tried to get rid of his blanket. Somehow, she seemed be little amused] Shido Listen to me...all the way... Kotori Huh? Shido I ve contracted the mysterious ten-more-minutes-of-sleep-or-else-my-sister-goes-to-tickle-hell-virus... Often referred to as the T-virus for short... Kotori What?! You got...what?! [Seemed, Kotori got gravely scared] Shido Run away, Kotori...Run! While I can control myself! Kotori Wait! But then, what s gonna happen to you, bro...? Shido As long as you re safe...it doesn t matter what happens on me... Run away... Kotori No, I can t...I can t leave you! [Shido suddenly removed blanket from him, his face colored ghastly pale, eyes blackened. And began roared] Shido GRAAAAAH! Kotori EEEEEK! [Kotori dashed from her brother s room. Shido laughed triumphantly] Shido Hee...hee...hee... ...Okay. Much better. [Shido changed his cloth from pajama to school uniform. He entered dining room] Shido Um? [Behind the sofa and the table stood on its side, Kotori had been hiding and trembling in fear] Kotori Oww...I don t wanna go to tickle hell...! Someone help me...! Shido Heh! [Shido sneaked on behind the sofa, and appeared himself to his sister, by horrific way] Shido BWAGRAAAH! Koroti EEEEEK! Shido ...It s me. Calm down, it s only me. Kotori Are---are you sure...? Shido I am much good friend to you. Yes, I, Kotori s big brother. Kotori Phew... Ha...Aha ha ha ha! News caster A spatial quake was recorded early this morning near the center of Tengu city. There was only slight damage. With no casualty among residence near the area. Investigation s continue. Has to the cause of the spatial quake--- [Shido broke an egg, preparing breakfasts while listening TV news] Shido Again? Some close, too. Kotori It was. [Shido was looking for inside the refrigerator, picked out slices of bacon and something. And, he asked her sister which she preferred to] Shido Spatial quakes, wide spread vibration phenomena. An area randomly starts vibrating, and no one knows why. This quake s so irrational, mysterious, unbelievably destructive. After the mass of catastrophe thirty years ago, spatial quake continue around the world for six terrifying months. In Japan, the Great Southern Kanto Spatial Quake completely flatten the area, not too far from our house. It was total devastation. In the twenty-five years after that, nothing happened. Nothing...until five years ago when a spatial quake showed up in the redeveloped Tengu city. Not long after that, we started hearing about quakes all the time. Most of which occurred here, in Japan. It s weird. They have been a lot lately. Kotori Not telling me. [In the TV show, it showed the area devastated by spatial quake. The area dented, like 30meter or so width crater. Watching it made Kotori squinted her eyes] Kotori (This is happening earlier than planned...) [And, Shido s expression was also stern] Shido Hold it! No sweets! [Shido scolded her sister. He tried to confiscate her pop candy, but she never released the candy from her mouth] Kotori Nn~!! Shido Seriously... (Sigh) Just make sure you eat breakfast, okay? [Kotori took out the pop candy, and smiled, winked to her brother] Kotori Aha! OK, bro. I love you! [There was a calendar hanged on the wall. Its 10th day was marked by thick red circle, and it was written "The Opening Ceremony!" under the date] Shido Oh, hey. Got any request for lunch? Kotori Oh, yeah! One Deluxe kid s plate! Hurray! Shido And, that s for a diner s menu... We don t serve that dish at this restaurant. Kotori Ahh?! Come on... Please! Pretty please! Look that cherry on top? It s yummy! [Kotori begged with her hands put together. Vexed looking Shido bit his toast] Kotori Deluxe kid s plate wins! I m love eating out for lunch...! [Shido and Kotori walked along to their school] Shido It s a diner! Not that exciting. Kotori Ya-hah. Thank you so much, bro. Okay, so after school, I ll be waiting for you right here in front of the restaurant. Shido Sounds good. Kotori And don t break your promise! Be here no matter what happens! Even if the place s taking over by terrorists, we still eat! Shido If that goes down, I doubt they let us stay. I ll be here. Be careful on your way to school. [Shido patted her sister s head. Three school girls stared the conversation between Shido and Kotori from the distance, looked sullen] Ai Hey, isn t that Shido Itsuka? Mai Didn t they seem too close? Cause I ve heard he s gotta weird sister complex. Mei That s so lame... [Kotori started to run to her school. She turned back to her brother, waved her hand] Kotori Don t forget, you promised me! So, I m gonna be here ready to eat even if a spatial quake happens. Shido Great. Now, go to school already. [Shido waved back his hand. Then, somebody held Shido s hand from behind him] Tonomachi Well, hey there. What s up? Shido Hey, Tonomachi. Tonomachi You ready for the semester? You sure look like you are... [Three girls gave inquisitive looking to Shido and Tonomachi] Ai Ow, have you also heard rumors about him? Mai Yeah, he swims both ways they say... Mei That s so lame. Ai Hm...? [Ai noticed that mysterious white short haired girl stared at Shido from behind an utility pole] Mai Are you OK, Ai? Mei I m perfect. I just saw, super genius creeping... Girl C That s so lamme. [A school. In the class 2-4] Tonomachi Nice coincidence, aren t, Shido? Lucky you being putting in the same class with me again. Some people would call this fate. I would be one of the those people... Shido Of course you would... [Tonomachi s smart phone rang] Tonomachi Hold on. Excuse me...It s my girl. Shido What? Girl? Like girl friend? Tonomachi Oh yeah. You wanna meet her? Check it out! [He showed his smartphone s display to Shido. The message "Touch Me!!", the game s title "Fall in love My little Seed", and pink color haired 2D school girl, wearing pink colored sailor collar blouse, were showed on the display] Tonomachi That s a dating sim. Shido Yeah, so what? Tonomachi Doesn t change the fact she s my girl friend. Don t judge me. A dating sim will tell you everything you need to know about how to tread women. It s like a text book for loving! This particular add is groovy because she lived... Origami Shido Itsuka. [A girl with white short hair, dark blue eyes called Shido] Shido Who...Me? Origami Yes. [She wore black blazer, blue pleated skirt. The design that had white hem on blazer collar was the same to the Shido wearing] Shido How do you know my name? Origami You mean, you don t remember? [She sat her chair without waiting Shido s answer. Her desk was next to Shido s. Shido whispering to Tonomachi so he wasn t heard by Origami] Shido Hey...who is she? Am I supposed to know her? Tonomachi Of course you are! That is Origami Tobiichi, otherwise knownst as super genius! Shido For real? Crazy. (She knows me...?) Tonomachi That chick always has some of the best grade in our class. She s ridiculous has sports. And, I mean, look at her! Gorgeous! On my-girls-I-probably-ought-to-have-the-girl-friend list, she s never been out of the top 3, like, ever! How do you not know one of the most popular kids in our school? But, more importantly, why in the world this Origami know who you are? Shido I wish I knew, but I have no idea. [Then, chime rang. Everyone in the class sat their own the chair. A homeroom teacher was entered into the class. She has chestnut colored hair, seemed popular among boy students] Tonomachi Oh! Heck yeah! It s Tamae! Okamine It s Ms. Okamine, please? Now, quiet down. I ll be your homeroom teacher this year. I hope you guys are ready to learn. [Everyone in the classroom clapped their hands, except Origami. She was staring at Shido intently] Shido (Origami Tobiichi...Why s she know who I am? And, why s she looking at me? So weird...What the heck is going on?) [Clock tower s clock reached just noon. The bell rang] Tonomachi Hey, Shido. Wanna go home together? Shido Sorry, I ve got plans. Tonomachi Oh yeah? Is it a girl? Shido Technically. It s just Kotori, though. Tonomachi Oh, I understand. Besides, as far as I know, there s not a girl in this school with a sensitive in kind enough spirit to have lunch with you. [Shido had got a sullen face] Shido Thanks. But, that was not a compliment. [Suddenly, a siren blown] Announce Your attention please. This is not a drill. They have been precursory signs... Shido A spatial quake! Tonomachi Another one? Shido We need evacuate. The shelter in the school should be safe enough... [Origami stood up, walked away on her own. Shido s eyes chased her] Announce I Repeat. There have been precursory signs... Shido (Where s she going...?) [The blue hologram display floated in the dark room, showing analysis graphics of some kind of power field] Unknown man A Kontri era. Aura uv eutrimis klub.[?] Unknown woman Kontensi tero to shigersa trique conmaifen.[?] Unknown man B Monsto, tome he[?] "Princess!" Unknown man C Ahh, she is here... ["Spatial quake warning issued." The sign stood beside the road] Announce I repeat. They have been precursory signs for impending spatial quakes in this vicinity, please evacuate to near shelter immediately. This is not a drill. I repeat. They have been precursory signs for impending spatial quake... [Right after town s people evacuated into the shelter entrance. The entrance shut down and sank into the ground. Train cars on the rail sank too. While students walked to shelter, Teacher Okamine got quite upset herself] Okamine Ah! Everyone, please cool down! Let don t forget 3Ds! Don t push! Don t Run! Don t mock with! Huh! Tonomachi You might wanna take it down, Miss coach. Okamine Of course. You re right. I m sorry. [Shido was making phone call, with anxious face] Shido (I hope Kotori is evacuating run. She should...Surely she s not still gonna try to meet me at the diner...) [Shido recalled what Kotori said in the morning] Kotori I ll be here even the spatial quake happens! Shido (Come on...! Please, don t waiting at that diner! She has to found her shelter...She s fine. She gotta be fine! I bet the shelter she s in just has bat reception. Or, she has a phone in silent or something. I need check her location...Just in case...) [Shido operated his phone to show his sister s location. The app located his sister at the diner on the map] Shido ! [Shido imagined his sister sat, crying in the front of the restaurant. He lost his control] Shido No! Tonomachi Hey, wait! Shido! [Shido was running through the city, outside of the shelter. Kotori s smiling face circulated in his mind] Kotori Okay, bro. I love you! Shido (Why?!) Kotori Thank you so much, bro! Shido (Why?! Why did she not just take shelter! The city s about to be destroyed. She s worried about promise?! Kotori...Kotori...! Kotori!) [When Shido turned the corner to enter small avenue, a black ball erupted. The ball was gaining its size as it swallow the buildings of the city. The shock wave blew off Shido] Shido Aagh! [The black ball was getting bigger and bigger, but it s evaporated just before it swallowed Shido] Shido Wow...what was that? [After the place black ball had grown, a huge crater made. Shido lost his voice with looking the sight. However, he found a girl stood at the center and the bottom of the crater. The girl wore some kind of armor. Its color was purple. The color was matched with her long straight hair and her eyes. She stared Shido with dauntless manner] Shido (It s...a girl? What s she doing...?) [The girl grabbed the hilt of her broad sword with her two hands. Pulled it from its scabbard, or dais. Swung. The sword created purple electric shock wave. Its run just next to Shido, and its impact vanished another building behind Shido] "Princess" Not you too... [The girl leveled her sword, pointed at Shido] "Princess" I see. So, it s true... You came here to kill me. Shido ... [Shido couldn t say anything. Fell down on the ground with his legs lost its strength] "Princess" Do not try denying you are here to kill me... I ll deal with you before the others are arrive. Shido Wait! Just wait, please! That s...it s not why I came here! "Princess" What?! Shido I---I can never kill anybody... Is that what you re here for? [The "Princess" squinted her eyes slightly. Then, she noticed something approaching to her from sky, turned herself to that direction. Five mechanical armored girls wearing jet wings appeared, launched rocket missiles to the Princess] Shido Uwaaah! [The Princess thrust her left arm, created purple light shield in front of her, blocked all missiles] "Princess" Why do they not realize the futility of their attacks. [She jumped high, swung her sword. The sword cut off all the missiles the mech-squad girls another launched] Shido (This isn t just any girl...) [the Princess turned back to see Shido. For unknown reason, she had had very sad looking face] Shido (If she that strong...why did she look so sad?) [Mech-squad didn t stop their attacks. They fired missiles one after another. The Princess wielded her sword, dropped all missiles off. She cross swung her sword, and some electric shock wave created. All mech-squad girls dodged. As the Princess landed to the ground, one girl of the mech-squad aimed her laser blaster to the Princess, at point-blank range. She shot the blaster, but the Princess raised her left hand, stopped and voided laser beam s energy. The princess slashed at the mech-squad girl, but the girl anyhow dodged Princess s attack. The girl lost one mechanical wing of two she reared. She detached flying equipment, jumped over Shido, and landed to near him. Shido could see girl s face] Shido To...Tobiichi? Is that you?! Origami Shido...It s you. Shido Uh, why are you wearing those cloths? [The princes attacked them with the shock wave she created from sword slash] Shido Gwaah! [Shido was blown away. Origami jumped, and activated her light saver and cut at the Princess. The Princess blocked Origami s slash, and they began cut at each other. The fight was so fast, couldn t see what they actually do. When they slashed each other wither their full strength, and their swords crushed each other, white flash flushed. And, Shido enveloped the blinding light] Woman Coordinates SJ-8020 the target "Princess" has been lost. Man Their reaction way too load affection threshold. That is confirmed. Shido ...Hello? Mysterious Voice Finally, we made again. Shido Who are you? Mysterious Voice I m so glad. But, just wait... Just a little while longer... I won t ever let you go again. I won t ever be wrong again. Soon... Shido Ah! Reine Hmm...It appears you are awake now. [In front of Shido. A woman whose face had unhealthily pale and had dark rings under her eyes] Shido Wait. I don t know you. Who are you? Reine My name is Reine Murasame. Just call me Reine. I m the head analyst here. There s no reason you freaked out. The first aid is hardly out of my league. Shido (That supposed to be reassuring...?) So...here s a question...? Where exactly am I? Reine You re resting in Fraxinus s sick bay. You were unconscious, so was decided this for the best course of action. Shido Fraxinu...what now? Did I pass-out? All right...I ended up in the middle of that thick fight...wait, Kotori! But, my sister! I need to go find my sister! She s waiting for me in front of the diner! She could be...! Reine What you need is calm down. You sister is perfectly fine. Shido What?! She is? Reine I m assuming you want some sort of explanation now. Apologies, but that isn t really my forte. You should ask the vice commander for more details... [Reine brought Shido to another room. There was young man standing. His hair was blond, long] Reine I m brought him with me. Kyouhei Thank you for taking care of it. It s very nice to meet you. My name is Kyouhei Kanaduki. And, I am the vice commander. Welcome, Shido. We glad you here. [After greeting to Shido, Kyouhei humbly gestured Shido to turn himself right. Above the stage, surrounded by operating console machine. A girl sat on her chair] Shido Kotori...? Kotori Glad you could make it, bro. Like idiot said, welcome to Ratatoskr. [The scene was changed on some military base. Huge body plane, four tanks, were outside of the building. A dozen people wearing engineering suit looked maintaining those plane, vehicles] Man Penetration angle, checked! Main earth[?], set! [Origami Tobiichi flew to her stand, attached her backpack to it] Origami Release connection. [After she detached from her back pack, seemed from exhaustion, she could not stand her own, began to fall. Her colleague held her body so she didn t fall down to the ground] Kusakabe I got you. Good work. Origami Capt. Kusakabe... Kusakabe You re working yourself too hard! Take it easy, okay? [Fraxinus. Kotori was showing a girl called the "Princess" on the display to Shido] Kotori This thing is a monster called a "Spirit" who s lost now long ago...that means disappeared. This is what we call--- Shido Wait, will you shut up for a second? Kotori Don t be rude. The commander s taking the time to explain everything to you personally! You should on your knees bowing in gratitude. If you want, I certainly wouldn t mind letting you lick my boots while you down there. Kyouhei What?! Really I can?! Kotori Hum! [Kotori hit Kyouhei s belly, so strong that impact could be visible as his back deformed] Kyouhei Urgh...! Oh year...Thank you for that, commander...! [Somehow, he looked so happy, and crumbled down to the ground] Shido And er...You are Kotori? Kotori Of course. Have you forgotten my face looks like? Shido? Shido No "bro?!" Kotori I knew your memories bad, but not all time as that. Well, I guess I have to admit you to a nursing home pretty soon. Shido So...what s going on? Where are we? Kotori Quit freaking. I ll explain this specific to you later, but first, you need to remember the three things I m about to say. One That girl is a Spirit. She doesn t belong in this world, and simply appearing on our planet causes everything around her to blow up whether she wanted to or not. Shido Blow up...why? Kotori You are so damn. You know those things we call "Spacial Quakes?", or Spirits just like that girls are under the ones who responsible for making them happen. Shido ... [Shido recalled when the Spatial Quake burst in very front of him, and after that, the girl stood at the center of the crater which the burst made] Shido (How could one girl do all that...?) Kotori Ready for two? [She showed five mech-girls on the screen] Kotori These are the ground force s Anti-Spirits Team. When the Spirit appears, the AST flied to their location, and take care of it. Meaning, they kill them. Shido What?! ...Kill them?! "Princess" It s true...you came here to kill me, didn t you? [Shido remembered the "Princess" said] Kotori And, now for Three There is another way to deal with the Spirits without having rely on AST. This is the reason why you re here, and why your help would be most needed. Shido Me? Help how? Kotori We have to make sure you start training tomorrow. I ll leave the rest of the details after the person in charge for development. In the mean time, just go back to school like normal. Shido Wait, will you slow down?! Why would you train me? I mean, seriously, what could I possibly do? [Kotori stomped her right foot to Kyouhei s left foot hard] Kyouhei Aargh!! Kotori No one was asking your opinion on the matter. Your only option is "yes." Shido What... Kotori Now I have a question. What were you doing down there Shido? Did you want to die? Shido No! Stupid, I was looking for you! Remember, you said you would be at diner even if there was a quake? Kotori I said that? But, how was I supposed know you d follow through? Shido Look Kotori! Besides being dependable, your phone s locate showed me you were there! Kotori You don t say...Oh year, I guess that does make sense. Although, technically we are above the diner. Shido Huh? Kotori Disable the filter. [Reiko, stood next Kotori, nodded. Then, the floor disappeared. Shido astonished, but they didn t fall in the air. Apparently, they were still on physically solid floor] Kotori We re currently fifteen thousand meters above Tengu city. You re on board airship called Fraxinus. [Shido looked down the city from see through floor, like he flew at 15,000 meters high above] [Unknown space. A girl with purple straight long hair slept in dim light. There s nothing in the space other than girl herself. She quietly opened her eyes, seemed she was thinking, remembering something, someone] [The next day, at the school] Okamine Is everyone enjoying day 2 of the new semester? Well, I am. Because today, we have a brand new assistant homeroom teacher with us! Reine I m Reine Murasame. And, I m excited to be here...ah... [As always, unhealthily pale looking Reine got dizzied, fainted away behind the lectern. Everyone in the class upset. Shido had a grave skeptical face] Shido How did you get to be one of my teachers? Tell me what s going on? [Three o clock pm, Shido and Reine were at physics preparation room. And Kotori was also there. In the room, there was dozen monitors hung on the wall. They were all turned on, showing different graph, information on them respectively] Shido Please, Miss Murasame? Reine You can just call me Reine. Key Shin? Shido Er...My name is Shido. Reine Is that right? Wow...Sorry, Shin. My bad. Shido You can t be serious! Come on! You didn t even try getting it to right! Reine It s more convenient from it keep close to you if I remember of the school s teaching stuff. Kotori And, you shouldn t able to figure that much out of you alone. Try not to be so stupid! [Kotori pointed her pop candy at Shido] Shido Hey, why don t you tell me why you even here? Don t you have school? Kotori I got permission to come today. [Kotori ostentatiously showed her slipper "For visitors" printed on it] Shido ...Fine, so you re finally gonna explain to me what this training is for or what? Kotori It ll start to make more sense with you start using the training software. Hit it, Reine! Reine Nn. [Reine typed something on the computer. On the screen, some software began loading. After a while, software started, showing the title of it. That read "Fall in love My little Shido"] Shido Huh? ...This is a dating sim. Tonomachi was playing with it. Kotori Oh, no, it s not. Take another look. Shido My...little...Shido? [In the program, an apathetic narrator began explaining the purpose of the game] Narration (In the game) りんかいにそんざいする [Which exist in another world,] とくしゅさいがいしていせいめいたい。 [The designated special life form.] はっせいげんいん、そんざいりゆうともにふめい。 [It s unknown why they ve been emerged, and why they exist.] こちらのせかいにあらわれるさい、 [When they appear into this world,] くうかんしんをはっせいさせ、 [They create the Spatial Quakes,] しゅういにじんだいなひがいをおよぼす。 [Make grave havoc around them.] たいしょほう [The method for facing them] ぶりょくをもってこれをせんめつする。 [Annihilate them with using military force.] ただし、 [However,] ひじょうにたかいせんとうりょくをもつため、 [Because they have so high powered combat ability,] たっせいはこんなん。 [It s not very feasible] Girl A (In the game) おはようおにいちゃん、りりこだよ！ [Good morning, bro. It s Ririko!] なんだかたいへんなことになっちゃったね [Seems it become a big problem] でもおにいちゃんならだいじょうぶ！ [But, it ll OK as long as it is you!] きっときっと、やれるからね！ [I m sure you ll do it!] Girl B (In the game) ねえシドー、 [Hey, Shido,] できることならせいれいはきずつけたりころしたくないよね？ [You think you don t wanna hurt, or kill Spirits, don t you?] でもせいれいをこのままにしておいたら、 [But if we leave them alone,] またくうかんしんがおきるしののみ[?]もころされる！ [The Spatial Quakes will occur and Nonomi[?] will get killed!] Woman A (In the game) だったら、せいれいをせっとくしたらどうかしら？ [So then, why don t you persuade the Spirits?] このせかいをすきになってもらうとか。 [Like, to make them like this world.] そうそう、よくこいをするとせかいがうつくしくみえる、なんていうわね。 [Oh, they say, the world will be much more beautiful when you are in love to someone] いつかくん、ということは・・・ [So, Itsuka-kun, that means...] Girl A (In the game) ということは・・・ [That means...] Girl B (In the game) ということは・・・ [That means...] Girl A, B, Woman A (In the game) つ・ま・り、 [In short,] デート、デート！ [Date! It s date!] せいれいをデレさせろ！ [Make the Spirits fall for you!] Girl A (In the game) なかよくおはなし～！ [With talking friendly!] Girl B (In the game) イチャイチャデートで～？ [With having a lovey-dovey date!] Woman A (In the game) メロメロにするの～！ [Make her fall in love with you!] Girl B (In the game) それがシドーの～ [That s Shido s...] Woman A (In the game) いつかくんの～ [That s Itsuka-kun s...] Girl A (In the game) おにいちゃんの～ [That s big bro s...] Girl A, B, Woman A (In the game) や・く・め！ [Assignment!] Girl A (In the game) というわけで、くんれんがんばってね！ [So now, do your best on the training!] [At dusk, Shido and Origami stood themselves alone at just inside of the exit to the roof space of the school building] Origami So, Shido...About yesterday... Shido Uh-huh? Origami Please, just keep that yourself. In fact, it ll be for the best. If you forgot about everything you saw yesterday... Shido What, it...You mean that girl, right? Look, Tobiichi. I...I think she might--- Origami She s a "Spirit." That thing is an enemy that I must defeat. Shido ...Why? You really think they re so evil? [Origami nodded quietly] Origami Spirits killed my parents. They browned them. They are very evil... And, they will pay. [Usually, Origami never expressed any emotions in front of the other people, but at this moment, she did not hide her emotions toward the Spirits. She squinted her eyes, knitted her eyebrows, expressing her hatred]
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https://w.atwiki.jp/japaneseartist/pages/10.html
Ryota Matsumoto is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Biography Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Links The Official Website https //www.ryotamatsumoto.com The New Centre Profile https //thenewcentre.org/people/ryota-matsumoto Prabook https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto